THE Abubilla Team

Elliot Wenman

Managing Director, Head of Songs & Studio

Elliot works with artists to develop their sound, their songwriting skills, and helps bring ideas out from artists heads onto recorded tracks. Starting out as a gigging guitarist, and then branching into songwriting, engineering and production, Elliot now loves working in all areas of the song development journey, looking to enhance the emotion and meaning of a song wherever he can. Elliot mainly plays guitar, bass and keys (though he has been known to play a lone hi-hat pattern to liven up some sampled drums) and takes care of most of our mixing and mastering needs, as well as writing and performing songs with Passage T.

Aside from the music, Elliot also takes care of the backend label activities and business development areas that allow us to serve our artists and help them grow.


What he listens to: any well written pop song, a 90s r&b ballad, anything bluesy, scrunchy guitars, lots of house music. Artists such as Bruno Mars, John Mayer, Babyface, Miguel, Sam Fender, Royal Blood, Camelphat

Iona Gaskell

Iona works on Abubilla’s overall strategy and partnerships, as well as leading on artist-specific promotional strategies and managing individual artists. Her niche within Abubilla is working with artists to understand and articulate their identity as musicians. With a background in storytelling, communications, and facilitation, she loves supporting artists to find what makes them unique, to help deepen their creative process, and unlock the path to building their fan base with distinctiveness and authenticity. These fall under a stream of work we call the "Artist Voice" and Iona has helped to develop Abubilla’s way of working in this area. Having grown up singing in choirs and bands, she also enjoys getting back in the booth as a session singer for Abubilla.

Outside of Abubilla, Iona works with non-profits, research institutes, small businesses and individual creatives on their storytelling, brand identities, and strategy, to help them craft public engagement strategies and pieces that help them communicate their story in its full potential. 

What she listens to: depends entirely on her mood but she’s generally a sucker for melancholic alt folk (especially The Staves, Flyte, and Bon Iver), queer girly pop (think MUNA, Romy, and Sylvan Esso) and arresting lyrics (she’ll never have enough of Bill Wurtz, Vulfpeck or Mitski).

Head of Artist Voice

Lucia Matušíková

Lucia’s work behind the scenes at Abubilla concentrates primarily on looking after artists she works with on a day-to-day basis. More specifically, she manages releases, special projects, and any specific artist-related development activities. In addition to that she overlooks communication with project stakeholders and looks over release campaigns.

Outside of Abubilla, Lucia tours worldwide working as a Stage Manager, Production Assistant, or Tour Manager for live music productions of all sizes. She connects the artists and their music to their fans. In her spare time, she organises a jazz festival called One Two Jazz Festival in Slovakia and is involved in other creative projects for local communities. 

What she listens to: That is fully dependent on the mood, as she’d consume anything from cheesy 80s music (a-ha, The Cure, Japan, INXS) through alternative/ indie music (Arctic Monkeys, Juniore, Lykke Li) all the way to classical (anything from Prague Philharmonic Orchestra) and Eastern European music (Vojtik, Go-A, Purist, FVLCRVM).